Long And Thins

These are my long and thin samples which I presented onto A2 paper. I used a mixture of techniques and materials to produce these pieces.

Collage:

I started off by gathering materials for my surface, I wanted to incorporate a lot of text into the piece therefore I used newspapers and magazines. I tried to avoid applying PVA onto of the paper as it would have a shiny finish and resist the coffee and ink. The paper added a rough jagged surface texture, which I really like and adds to the authentic look. Next I harshly painted coffee over the entire page and let that dry. Next I drew out the building in pencil and then went over that with ink. To add highlights I used white emulsion and lightly applied it over the lighter edges. After I go to this stage and looked back at it, I thought it looked a bit boring. So I added some purple and yellow touches using fine liners. I am happy with the way this turned out however if I would change anything, I would use less wet medias and add more finer detail.

Stick and Ink:

This was the simplest and most easy piece to create as it used the least amount of medias and had the simplest composition. The original image was of an old cherub statue which had been slightly decayed from age. The thing I struggled with the most was getting the broken and rotting parts of the image as it had a complex rough texture to it. I first applied coffee again to the entire canvas. Then I used the stick and ink technique to draw out and add the dark areas of the image. Next I added in the mid tones using stronger coffee. At this point the image was starting to come together and look like something. To add highlights I used emulsion and lightly applied it to the lighter areas. Finally to add detail I used black fine liner and white gel pens, to get add in those intricate highlights and shadows.

This is my favourite of the three samples because I really like the mark making and use of tone.

Quink and Bleach

Out of the 3 this was the hardest piece to do as I hadn't used the quink and bleach technique much, and I had chosen a particularly challenging photo. The image was of a wall carving of a ship steering wheel, which had aged and started to build decay. There were a lot of complex textures and debris on the subject,which was hard to capture in my sample. I started off by applying ink to the page and letting it dry over 4 days. I then added bleach to draw out the dark areas creating a negative / inverted effect. Next was to add the highlights using emulsion. I used scrapped it onto the page so it would look rough and have a lot of texture which was present on the original picture, helping to convey the decaying elements on the wall. At this stage it looked like a bunch of patches of white and yellow. I needed to show an indication to what the image was of. To do this I used gold pen to outline it, and added in a few intricate curvy patterns to contrast with the messiness and look more interesting. I was not too pleased with the final outcome, however I do think it works well with the other two when all presented together.

One key feature to all of these studies is texture. I think this helps to show what the subject matter is as it shows the old, rotting, grittiness of the architectural detail. It also allows the viewer to not only look at the work but also feel it, therefore making it interactive and more effective.